I could easily lead off with some joke about how abstract Last Year at Marienbad is or how much I want to play Nim or what those people standing there like mannequins might have been thinking the whole time this film was made, but frankly, I think we did enough of that on the podcast (see below). Suffice to say, Marienbad is a strange, interesting, boring, mysterious, exciting, beautiful, bizarre film…often times all...
It started off as a tight race between all five films, but it didn’t take long for two to break from the pack. In the end, the pick from Brian Roan of Dear Film, 1961’s Last Year at Marienbad, took home the prize (see poll results below). As such, Brian becomes the latest Champion and has won a chair in the LAMBcast in which we’ll discuss the film, and the hosting rights to the MOTM segment (more...
The Princess Bride? Watchmen? Dawn of the Dead? Big films, you might say? Night of the Comet can’t hear you. Kristen chose this barely-seen apocalyptic zombie sci-fi-comedy and it tore up the competition. The question is, is it underseen/underloved or justly forgotten?
Before we get to the links, here’s the IMDb summary for the film, for those that aren’t familiar with...
Are you ready for a surprise?
There’s currently some talk going on over at the LAMB Forums (and previously on Twitter) in regards to what works or doesn’t work (or what should work or shouldn’t work) as it pertains to the voting for the Movie of the Month. As it just so happens, one of the key points being made is about the existing popularity of films, how films like The Princess Bride or...
They say the sixth time’s the charm, right? Proof that perseverance pays off, Ryan Fernand of Lord of the Films submitted Children of Men to the MOTM poll once again for December and it finally paid off. Then, after all that time, it wasn’t even close, as his choice had more than twice as many votes as the next closest film. The 2006 sci-fi drama starring Clive Owen was pretty much universally loved by critics and movie...
It was another patented two-horse race for the MOTM. It seems all of these end up that way, as a handful of films will open up an early lead, but as time goes on, people change votes and/or only vote for one of the top dogs, knowing that votes for the others won’t go anywhere (hey, that sounds like the American political system!). Anyway, it was a close race between The Princess Bride and Licence to Kill,...
[Note: I asked the MOTM Champion Justin if he’d be interested in writing the intro for this post. Here’s what he delivered.]
Every month at the LAMB, we have a poll that establishes our Movie of the Month. The winner is watched and discussed on the LAMBcast by a few of our members. Sometimes the winner that we review together is serious (last month’s silent German film Metropolis),...
We had ourselves another two-horse race in the last MOTM poll, and it came down to two four-word-titled, underrated (?) modern films – White Men Can’t Jump and Kiss Kiss Bang Bang. In the end, the Robert Downey, Jr./Val Kilmer vehicle won out (championed by Justin Gott of Man, I Love Films), taking 26.3% of the 95 votes. As such, Justin has won a chair in the LAMBcast in which we’ll discuss the film,...
Can I just say that I love the eclectic group of films that have been chosen as the Movies of the Month by all the voters out there since we rejuvenated the MOTM feature in March of last year? We’ve had critically-acclaimed films like Inglourious Basterds and The Shining, we’ve had cult films like The Evil Dead and Bronson, we’ve had foreign films (Oldboy, The Third Man), a...
It’s safe to say that the latest MOTM poll turned into a blowout. Deny Everything’s choice of Show Me Love took a commanding early lead, and Flights, Tights and Movie Nights’ Robocop selection made a deent run, but Metropolis, championed by 100 Years of Movies ran away with the vote, taking 29% of the 165 votes (nice turnout!). As such, Pat of 100 Years has won a chair in the LAMBcast in which...
Is it just me, or is it strange how the discussions of certain book-to-film adaptations seem to center on the quality of adaptation rather than the quality of film; that the act of the adaptation is so inseparable from the film that it’s impossible to ignore? Think about The Hunger Games recently, or The Girl with the Dragon Tattoo; although certainly not all film bloggers read these books prior to seeing the films, it does...
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