Pretty sure I haven’t seen an IMDb summary recently that makes the film it’s talking about sound much worse than this one:
“Billy and Sydney think they’re the best basketball hustlers in town, so when they join forces, nothing can stop them, except each other. To add to their problems, Billy owes money and is being chased by a pair of gangster types.“
White Men Can’t Jump,...
Persistence indeed pays! Though, it also helps to not have as much competition. On his sixth (and reportedly final) attempt at making Ron Shelton’s 1992 hoops comedy the Movie of the Month, Joe Giuliano of Two Dude Review has made White Men Can’t Jump a winner. It was a very light turnout with just 32 votes, but White Men still won handily, easily beating Shep Joel’s choice of Body Double. ...
Primer was released in 2004 and it’s safe to say that it didn’t exactly set the world on fire. When the receipts had all been counted, it had made a little less than half a million. The thing is, when your film costs $7,000 and makes that much (combined with the growing success of Netflix), people start to pay attention. Word of mouth spreads, talk of brilliance and complexity abounds, and the next thing you know,...
After last month’s destruction by, appropriately, Demolition Man, we were due for a change of pace, and boy did we get one. We had quite the downturn in participation; after 137 votes last month, there were just 51 this month, but the upside of that is that we had an intense race. It was so close, in fact, that the top three films were separated by a total of two votes, with Upstream Color winning with 14 votes,...
Is it a silly action flick with a quasi-serious message or a serious action flick made silly by two decades of aged cheese? Is it really from 1993 or is it the last 80s film? Is it live or is it Memorex? These questions and many, many more surround the 1993 Stallone and Snipes showdown Demolition Man, a film that deals with the pain of being aware of the passage of 40 years whilst being able to experience nothing but that...
Apparently, Jay really, really wanted to win, and he really, really wanted Demolition Man to be the film he won with. The man from Life vs. Film went all out for the MOTM poll; overall, we had 137 votes, and his film had more than half of them, in a competition that was a competition for about 12 hours before it got out of hand. To the rest of the potential Champions (well, except for Joe, perhaps), don’t fret. Try again...
Wanna win the Movie of the Month poll?
I wouldn’t go so far as to say it’s a lock – particularly not when there’s more than one film meeting the criteria – but choosing a film from pre-1965 seems to be a pretty solid strategy. I also wouldn’t go so far as to say that that was the strategy Dan Heaton had in mind when he chose Double Indemnity as his film to Champion, but the results...
This had to have been one of the more diverse groupings of films we’ve had for the MOTM. True, it’s not as though there were any foreign films or silents or docs, but we had a classic horror flick, a classic noir, a sci-fi thriller, a sports comedy, and whatever Dark City fits into.
However, what started as a close race pretty quickly became a blowout, as Dan Heaton’s selection of Double...
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